But I still feel that we have this very DIY spirit to us. "People think that now we're spending a lot of money on our production. "Obviously, there's a lot of attention on us," Ayase says. The only difference, Ayase jokes, is that his to-do list keeps getting longer. Despite their success, however, very little has changed in their process. In just three years, Ayase and Ikura have become permanent fixtures on Japan's music charts while also making waves internationally. Their streaming numbers are now in the billions. They've also written and performed OST themes for popular anime, including Netflix's Beastars and Mobile Suit Gundam: The Witch from Mercury. In 2021, they were crowned Artist of the Year at MTV's VMAJs. They held their first in-person concert at Tokyo’s legendary Nippon Budokan arena, and they're set to embark on their first arena tour in Japan this spring. Two EPs followed, The Book and The Book 2, which were re-recorded in English and released as E-Side and E-Side 2, the latter of which recently dropped. 1 on Billboard Japan's Hot 100 and accumulating more than 700 million streams to become the country's most-streamed song of the last five years. The song majorly broke through, bowing at no. "Yoru ni Kakeru" topped the charts in 2020, resonating with a generation of people who were in the mood for a pensive pop hit amid the pandemic. This is the contrast that often lies beneath the surface of YOASOBI's work - light and darkness, beauty and grotesque, it all goes hand in hand. Ikura's voice is both sweet and crystalline. The music, however, is bright and energetic with drum kicks and piano interludes that propel the disjunct vocal melody forward at a relentless pace. Ultimately, they both succumb to the allure of death, falling into the unknown together.
But because she was the start of the Vocaloid revolution, Miku's creators decided that she deserved the number "01".Take their debut single, "夜に駆ける (Yoru ni Kakeru)." Adapted from Mayo Hoshino's melancholic short tale タナトスの誘惑 (Thanatos no Yūwaku), which translates to The Temptation of Thanatos, the song depicts a love between the narrator and a young woman who repeatedly attempts to take her own life. As for Vocaloid, Mizki and Yuma were actually created long before Miku was, and so her number "01" is actually quite innacurate. As for Megpoids and Gackpoids, Gumi and Gakupo are the first of their kinds. Utauloids, Megpoids, and Gackpoids are all different forms of the Vocaloid software.
Utauloids: Teto, Ritsu, Ruko, Tei, Haku, Momo Vocaloids: Miku, Rin, Len, Piko, Luka, Lily, Miki, Yuki, Aoki, SeeU, Meiko, Kaito, Rion, Akiko, IA, CUL, Mizki, Yuma A list of the important Vocaloids, Utauloids, ect.:
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